Album Review: ...And Then We Saw Land - Tunng

Tunng's new album greets listeners like a long lost friend coming in and giving you a big romantic passionate kiss. ...And Then We Saw Land's opening track 'Hustle' is so infectious that offering it upfront without the listener having put in any effort whatsoever feels like a treat akin to early payday in December.

The problem with early pay is that it leaves you feeling short-changed in January as the weeks drag on. BlackPlastic wouldn't go so far as to acuse Tunng of giving us the same feeling but the tone and pace of the album innevitably dips from this heady start.

Yet ...And Then We Saw Land is a lovely piece of melodic folk music that manages to contain electronic flourishes and reflects elements of anti-folk in it's lo-fi feel and the likes of múm in its playfulness. And when it works it really bloody works: 'The Roadside', for example, features a fantastic wandering, almost meandering introduction and builds in a lovely cinematic fashion.

So Tunng's album is by no means a mixed bag - it just has some good bits and some utterly sublime bits, like on that album opener or the stop-start rhymic vocals of 'Sashimi'. ...And Then We Saw Land is a grand day out of a record. A joyful, joyful experience - it feels like a car journey at the beginning of a holiday.

Download 'Don't Look Down Or Back' on MP3 by Tunng, taken from ...And Then We Saw Land [right click, save as].

BP x

...And Then We Saw Land is out on tomorrow, available from Amazon.co.uk on CD, LP and MP3 [affiliate links].

Video / MP3: Grindin' - Nobody Beats the Drum

This new video for Nobody Beats the Drum's new track 'Grindin'' initially look like a simple, all be it cool, computer generated visualisation of the track... Only when you are a third in does it become apparent that it is actually stop frame animation.

The video is honestly seriously cool and really reminds BlackPlastic of Michel Gondry's work and since he is our favourite ever music video director that is glowing praise.  The video was actually made not by some high profile director but by the band's own VJ / visual artist Rogier van der Zwaag and it is comprised of 4,085 photos stitched together to create one continuous whole.  The end result is a bit of a head fuck - it seems to gradually build up until so much is happening that it becomes a little unnerving.

The tune itself is decent too, a nice wonky electro anthem.

Download Nobody Beats the Drum's 'Grindin'' on MP3 [right click, save as]

If you are interested in seeing how the video was made there is a making of short film on YouTube too.

BP x

Competition: Tickets to see Passion Pit in concert!

One of BlackPlastic's favourite little gems from last year was Passion Pit's totally infectious Manners album. By throwing everything AND the kitchen sink into their material they manage to cram as many joyful ideas into one song as many bands struggle to deliver in an album... And do so in a way that feels like Christmas and your birthday all at once.

Passion Pit are on tour in the UK next month and to celebrate we have a pair of tickets for the Nottingham gig to give away.  To be in with a chance of winning you need to be able to get to and from the venue on the night of the concert and answer this question:

What, accordingly to BlackPlastic's review of Manners, do Passion Pit smell like?

To enter drop us a note through the BlackPlastic.co.uk Contact Form or drop us a note at competitions@blackplastic.co.uk using the subject 'Passion Pit Competition'. The closing date is 4 March 2010 [competition now closed].

Most of the dates are sold out but Bristol, Norwich and Nottingham still have tickets available.

Tour details, taken from the Passion Pit site:

03.01.10	Brussels	Botanique	SOLD OUT
03.03.10	Bristol	Academy	TICKETS
03.04.10	Leeds	Met Uni	SOLD OUT
03.05.10	Manchester	Academy	SOLD OUT
03.06.10	Glasgow	ABC	SOLD OUT
03.08.10	Norwich	UEA	TICKETS
03.09.10	Nottingham	Rock City	TICKETS
03.11.10	London	HMV Fourm	SOLD OUT
03.13.10	Dublin	Olympia	SOLD OUT

BP x

EP Review: Burn and Rise - Panic Girl

The press release postulates that Burn And Rise, Panic Girl's debut EP, offers a distinctive hybrid of trip-hop meets electronica.

On the whole it is right. BlackPlastic is not entirely sure how distinctive such a combination is but we would be lying if we didn't agree that the result is catchy.  The attention given to detail and something of the overall melancholic vibe to the record actually remind BlackPlastic of some of the more memorable offerings that came out of the progressive house rebirth back in the early noughties - the vocal tracks here being specifically reminiscent of Satoshi Tomiie's collaborations with Kelli Ali on 2000's Full Lick.

The difference is that Panic Girl's EP is much slower and sounds much more organic than any tech house and, to be honest, the variety and production flourishes stand Burn And Rise far apart from any of the staid, dull efforts that often get categorised as a mixture of trip-hop and electronica. At its best, as on the peaceful, zen-like 'Hide And Seek' Panic Girl is clearly excellent - the track boasts a wonderfully global feeling sound, and despite Panic Girl hailing from Germany the track feels equal parts east and west.

Check out the video to 'Burn And Rise', directed by award winning director Reza Dolatabadi, above. Burn And Rise the EP is out next Thursday 25 February on shadybrain.

BP x

Single Review: Shark's Tooth - Archie Bronson Outfit

The Archie Bronson Outfit's new track, taken from the forthcoming Coconut album (out 1 March), is exactly the kind of scratchy alienating music BlackPlastic hopes is playing when we finally lose the plot and the fine thread that keeps the world the right way up snaps.

It's angst then, but the best kind of angst - artsy and well dressed. With a wall of distorted guitar-work 'Shark's Tooth' manages to create a sound that actually feels like the serrated edge of its namesake.

The forthcoming album is produced by ex-DFA (yes, ex) darling Tim Goldsworthy. Judging by this effort it is likely to be a big departure from his work with Hercules & Love Affair and Cut Copy into the realm of jerky guitar post-punk. Which makes BlackPlastic excited. If it is all as good as this then it will be a significant achievement for both band a knob-twiddler.

Check it out the Ferry Gouw directed video above and, even better, head over to the Archie Bronson Outfit website to download the MP3 for free.  The 7" is out on Monday.

BP x

Video: Go Do - Jónsi

Jónsi's new album Go is due out soon and this video for 'Go Do' has recently been released.

In it Jónsi looks a little bit like a young Jareth from Labyrinth (that's David Bowie's character in case you are uneducated) running around Iceland and playing with birds. By which we don't mean ladies.

This song feels like a slight departure from Jónsi's work with Sigur Rós - very upbeat, as was much of Með suð í eyrum við spilum endalaust - but also with a bit of a pop feel. The video is interesting - lots of fast cuts and a nice sunrise and whilst none of it makes any sense it feels uplifting and that is probably the point.`

Unimportant beach trivia: BlackPlastic has almost certainly visited the beach with the basalt columns featured in this video.

BP x

Props: Kitsune Noir for blogging this.

Video: The Great Escape - Skeleton Jones

This, friends, is sublime:

Skeleton Jones dropped this into the BlackPlastic email inbox and we were a little bit hooked, to say the least. Previously a member of Dulbin band 8Ball, when the band split up Skeleton Jones was Kenny McAlester's response, in his words: him, an SP404 and a bass.

Judged on 'The Great Escape' we'd say things have turned out peachy. The song samples The Dovers' 'I Could Be Happy' but the deadpan vocals and muddied distortion are what make this work for BlackPlastic.

Raised on heavy metal (weren't we all - angst is a beautiful thing), Kenny was blown away by the discovery of Hendrix's Electric Ladyland, The Beatles and ultimately My Bloody Valentine's 'Soon'. Of these three the sound of Skeleton Jones is most reminiscent of My Bloody Valentine - particularly 'Soon' and it's looping, electronic structure - something that MCAlester hints at being no coincidence. The Jesus & Mary Chain and the Magnetic Fields are also all over this, which can only be a good thing.

Head over to Skeleton Jones' MySpace for more. McAlester is currently collaborating with some of the former members of 8Ball on a new project entitled Bearbones that he promises will be 'radically different' from the work from 8Ball.  An EP is likely within the next few months and it may well feature 'The Great Escape'.

Looks like Kenny may be one to watch...

BP x

Album Review: Boca Negra - Chicago Underground Duo

Boca Negra - it evokes foreign places, exoticism and, meaning "black mouth" evokes feelings of infinity (it apparently represents an endless consumption of information). And Chicago Underground Duo sound like they should have made house music back when house was a place not a genre.

They don't, however. But Boca Negra is no less exciting for that fact. Instead it is just too damn cool, Chicago Underground Duo's sounds creating an effortless yet sophisticated and ultimately considered melange.

Chicago Underground Duo's album is ultimately a free-jazz-folk-music affair. Yet if, as they say, writing about music is as stupid as dancing about architecture then you could argue that assigning a genre to music like this feels as ridiculous as skydiving about partical physics.

What there is no argument over is the fact that Boca Negra is a beautiful record. Whether soothing, as on the refined and soulful 'Vergence', or obtuse, funky and playful as on 'Spy On The Floor' it is a shattered picture frame of enticing images. In some respects it is a collection of mood pieces but played with such aplomb, such attention to detail that it sounds like the soundtrack to the best movie you have never seen.

Boca Negra is a cinematic album and it is at its best when full of the space and exposed, broken rhythms as on 'Lauging With The Sun'. Like much great instramental music different people will feel different things from listening to Chicago Underground Duo: BlackPlastic feels a sense of wonderment.

BP x

Preview Chicago Underground Duo's Boca Negra by downloading the MP3 of 'Spy On The Floor' [right click, save as].

Boca Negra is out now on Thrill Jockey, available from Amazon.co.uk on CD and LP [affiliate links].

EP Review / Video / Download: The Crackdown Project - Billie Ray Martin

Much of the music BlackPlastic appreciate stems in one form or another from the incredibly varied and creative post-punk scene in the late seventies and early eighties.  Some of the bands involved in this scene are incredibly well known (Joy Division, New Order, Human League etc.) whilst some, for example The Units, are much less known.

Unsurprisingly the majority of artists fall somewhere in between, and one such example would be Cabaret Voltaire - a Sheffield band considered hugely influential who yet these days appear to be relatively unknown amongst the younger generations outside of real muso circles.

Germany's Billie Ray Martin, who is perhaps best known for work as a member of Electribe 101 and mid-nineties house record 'Your Loving Arms' but has also recently got into the post-electroclash scene (collaborating with Hell, for example), has decided that Cabaret Voltaire deserve a revisit.  The result is The Crackdown Project, which is made up of two cover versions - 'The Crackdown' and 'Just Fascination', with additional vocals from Stephen Mallinder from Cabaret Voltaire. Rather than releasing the tracks via conventional channels Billie Ray Martin has taken the somewhat unusual step of collaborating with Mininova to release some remixes and, shortly, the EP on torrent sites.

The result is surprisingly good, particular on 'The Crackdown', which mixes Billie Ray's somewhat decadent vocals with an crunchy, industrial bass line. Add in her spoken vocal sparing with Mallinder and you have a track that treads an interesting line between sleazy and beautiful.

Check out the video for 'The Crackdown' above and the ballad-esque Phil RetroSpector Mix below.  The project is to be released in two parts, with Sold Out to Disco coming out on 15 February followed by Darkness Restoredon 15 March.  Each release will feature a variety of remixes of the two tracks and in addition to Torrent sites will be available through digital outlets worldwide - remember to support the artist.

Download an MP3 Minimix of the release mixed by Celebrity Murder Party here [right click, save as].

Album Review: FabricLive 50 - dBridge & Instra:mental present Autonomic

dBridge & Instra:mental's Autonomic mix for FabricLive eschews expectations for a drum 'n' bass mix by slowing things down. Right down.

After collaborating on a track together, dBridge and Instra:mental collaborated to form Autonomatic - ultimately a club night with spin-offs, the most significant of which is, as the press release say, ultimately a style of music.

Because FabricLive 50 doesn't just slow things down. It is considerably slower than even a breakbeat set, with the tempo coming in below a chilled out 100bpm. This is still distinctively dnb though, and both dBridge (formerly part of the fairly legendary Bad Company) and Instra:mental clearly know their craft.

The album opener, Riva's 'Seems Like', glides a soulful vocal over a spacious backing that gently melds into Instra:mental's own 'From The Start' but as soulful as the whole thing feels the beats are deep, percussive and ultimately pure liquid drum 'n' bass.

But slow drum 'n' bass sounds about as much fun as stretching out the Queen's speech to last the whole of Christmas day, Boxing day and maybe even right up to New Year's Eve... Surely the point is that it gets you moving, the rolling basslines, pitched vocals, and the last thing we want is more bloody dubstep.

But as we said, dBridge and Instra:mental clearly know what they are doing. Just as liquid dnb made BlackPlastic's heart go aquiver about eight years ago by giving the genre vocals and, as a result, a tune, FabricLive 50 works because of the space the production gets. There are relatively few vocals here as it happens but the speed gives the album an intelligent, soulful feel more reminiscent of Jazzanova and the Compost label than any dnb or dubstep we ever heard.

FabricLive 50 is actually fairly reminiscent of Global Communication's Fabric album (Fabric 26), robotic yet soulful... Ferocious let subtle. By redefining what drum 'n' bass is dBridge and Instra:mental have just pushed a genre forward that desperately needed innovation. Dubstep be damned - dnb died and Autonomic just brought it back.

BP x

Check out the 30-minute promo mix over at Fabric's MixCloud page.

FabricLive 50 is out on 15 February, available for pre-order from Amazon.co.uk on CD [affiliate link].