ep review

EP Review: Horizon EP - EJECA

​Garry McCartney unleashes three tracks of 90s influenced dance on this new EP through Needwant under the pseudonym EJECA. Growing up in Belfast McCarthy's entry into dance music came through the house and garage popular at the time - a fact clearly evident on his new EP.

EJECA - Horizon​

'Horizon' sounds like mid-nineties garage - tracks like Roy Davis Jr's 'Gabriel', released before the concept of a UK version of New York's "Garage" was even a concept. The bass is raw and hollow sounding, the vocals pitched slightly up and samples tweaked to perfection. If you were there at the time it's hard not to feel a twinge of nostalgia - you can almost smell the smoke machine kick in. On the flip side 'Dazed' is deeper but equally inspired by the recent past. Progressive keys build a gentle tension before a snappy house beat and driving chords.

Final track 'See Through You' is actually the most contemporary of the three, influenced as much by dubstep as 90s garage and house. The beats are more complex yet softer, the bass deeper but more rounded and the vocals submerged in layers of noise. It contrasts well to the immediacy of Horizon's opening in being a little less obvious.

Horizon is released through Needwant on Monday, available for pre-order on MP3 from Amazon.co.uk [affiliate link].​

EP Review / Download: Shell - Ursa Minor (Little Bear)

​Shell - Ursa Minor (Bear)

​Ursa Minor's new EP opens with the warm and featherlight title track 'Shell'. It's a dreamlike pop record with a slight Eastern influence and a rave sensibility. Vocalist Little Bear's vocals are slightly Björk like - similar to the worldly operatic vocals wrapped in lush electronics that made much of Début so good. It feels all too brief at a little over five-minutes but it is immediately worth this EP's ticket price.

Much of what remains is in juxtaposition to that opening song. 'Ha!' features thick, chunky bass and short, sharp drum beats. The vocals remain extravagent but the wobbly bass, 'Blue Monday'-esque drums and acid patterns are from an entirely different place.

'WTF Is Love' is similarly heavy and thick with acid whilst 'Wild Flowers' is closer to the EP's opening; whilst it is less dark it lacks the lightness and rave influences of 'Shell'. Ular Gray's Bearhouse Dub of 'Shell' rounds the EP out with a reduced, minimal take - deep basslines and cut up vocals transform the track into something nearing IDM. It retains the tracks core appeal but lacks the same immediacy.

Check out the dark Ular Gray ​mix of 'Shell' below via the Soundcloud stream - there is the option to download it too if you like what you here:

Shell is released on 1 October, you can pre-order it from Amazon.co.uk on MP3 here [affiliate link].​