single review

Single Review: Hemingway - Piek feat. Samuel Fitch & Mianyo

Piek

'Hemingway' is the result of a collaboration between Piek, 

Mianyo and vocalist Samuel Fitch. And it's just the sort of polished disco-house record to kick start your January.

Piek comes from Northern Spain and has released through Azari, Cray1, LabWorks, Inmotion and his own label Paulatine, which he runs with Uner and Baum. Hemingway comes out through Fiakun initially on vinyl, with the digital release following later in the month.

The single features two versions. The original boasts a thick, satisfyingly infectious bass line that's hard to ignore, layers of loose percussion and Fitch's slinky vocals. The combination of the hard, electronic square-wave bass and live, clattering drums create a deep, organic but still modern sounding record.

M.V.I.P. - that'll be Mathias Vogt and Ian Pooley - deliver the remix, and it's a more stripped back affair. There are nods to classic house in some of the big atmospheric sounds, whilst the track is given a tight techie edge. It still has a few of the disco flourishes but it's a much deeper cut and a strong complement to the a-side.

Hemingway is out today through Fiakun on 12" and 21 January as a digital release. Preview the release on Soundcloud below:

Single Review: Second Summer - YACHT

I've dipped in and out of YACHT's releases over the years and their mileage varies. Their fourth album (and first on current home DFA), See Mystery Lights, had a fresh sound, applying a pop spin to the post-punk revival of the time.

Despite that promising album I was left very cold after YACHT's performance supporting LCD Soundsystem at Brixton in advance of the release of This Is Happening. YACHT basically seemed to try too hard, their live performance feeling like an overly dramatised event. There's a thin line within performance between boring and fake and it seemed like YACHT went and tripped over it.

YACHT's new single, 'Second Summer', appears to be a dual reference to the summer of love and, presumably, YACHT's breakthrough track 'Summer Song'. The track comes then from the sense of honesty and freedom of that sacred summer: "Like the original Summer of Love and its acid house revival, the Second Summer of Love, our aim is true: to create environments of total freedom" say the band. Given that 'Summer Song' represents the band's own metaphorical summer of love as a concept it feels hyper-referential.

It's difficult not to find notions of the second summer of love a little tired - popular culture seems to be obsessed with declaring it's return. Maybe that's the real point here and if it is, the songs concept is probably it's cleverest element. I'm not sure I credit YACHT with the sophistication though.

Three versions of the track feature across the formats. The original is a slick and punchy record. YACHT have a track record of producing quirky synth pop and that's exactly what they do here with bouncy bass lines, strings and Claire L Evans' aloof vocals that blossom into a colourful chorus.

The dub lets the track's bed come to the fore, playing up the electro-disco nature of the track and extending the duration. Free from the constraints of being a sub- five-minute pop record it is able to work a bit more magic, with Jona Bechtolt's instrumentation allowed to shine. The synths and strings create a looping track that locks itself into a nice building groove.

The final version comes from Ben Aqua, who creates a glitchy track full of stuttering sample-effects. Evans is pitched, vocoder-ed and auto-tuned to within an inch of her life. The deep, rolling bass and drum work together to create a modern, urban feel but it lacks to subtlety of the dub.

'Second Summer' is YACHT being YACHT, no more, no less. The response to their last album Shangri-La  was somewhat lukewarm and 'Second Summer' isn't the sound of a band trying something new, despite a tendency for reinvention in the past. The dub suggests Bechtolt could create something more interesting if he gave himself more space, it's a shame we will have to continue to wait in order to hear it.

Second Summer is released on 18 December through DFA, available from Amazon.co.uk on MP3, with the Ben Aqua mix as a separate release [affiliate links].

Single Review: Edits - Sole Emsemble

Edits - Sole Ensemble

A fairly mysterious release from an anonymous Bristol based producer here. Sole Ensemble isn't a DJ and therefore doesn't want people worrying about who he is - seems he'd much rather people focus on the music.

This (pretty much untitled) release features a couple of housed-up disco edits. First up is an edit of Brenda Watts' 'Who Needs A Love Like That'. It's minimal in approach, the looped chorus given lots of space whilst a shuffling rhythm provides backing. A chunky robotic bass line provides a layer of funk, creating a contemporary, stripped-back approach to disco.

On side-b we have an edit of a cover of Stevie Wonder's 'All I Do' entitled 'All For You'. I've not been able to identify which version the vocals here are taken from (and the press-release is very bare-bones) but the application is strong. Once again the track is stripped back but more of the vocal appears and as such it naturally feels more extravagant, layered with backing vocals and a complimentary bass line. It's a tight disco track kept to its minimum components but it packs a bit more soul than the a-side, perfect for pokey little bars and back rooms.

An unfussy release focused on delivering quality modern disco sounds, I like.