horrors

2014 Songs of the Year: Part Six - 10 through 1

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Just got here? Get up to speed with parts one, two, three, four and five.

Now that the full list is out check out the Spotify playlist, which includes every one of the full top 60 (plus the near misses) where they are available on Spotify. Click here or play via the embedded player below:

10. Ben's My Friend - Sun Kil Moon

Sun Kil Moon - Benji - 2014

Sun Kil Moon’s Benji was full of personal moments but none felt like they captured the maudlin sense of growing up and growing old in the same way as album closer Ben’s My Friend, complete with that lovely sax work. The way this song sets out the passing of time against Mark Kozelek’s friendship with Postal Service and Death Cab frontman Ben Gibbard is both touching and frighteningly real… Anyone over-30 will likely be familiar with the work that goes into maintaining friendships and the complexity that gradually seeps into life as you age. What once seemed simple and obvious gradually becomes harder.

 

9. I Can Be Your Light - Hugh

Fan Video of Hugh's "I Can Be Your Light" https://itunes.apple.com/us/album/i-cant-figure-you-out-ep-ep/id897571978

I’ve championed Hugh and band-member Joshua Idehen’s other project Benin City for some time, but I Can Be Your Light from Hugh’s I Can’t Figure You Out EP marked their best moment yet. There’s only so much you can say about this song - it’s not complicated, it’s just beautiful. The openness and the generosity… No track this year came closer to bringing me closer to tears.

 

8. Bassically - Tei Shi

iTunes*~* http://smarturl.it/bassically Co-produced by Gianluca Buccellati & Tei Shi 11/13 - U Street Music Hall - Washington, DC * w/ GEMs 11/15 - Babys All Right - Brooklyn, NY * w/ Yumi Zouma 11/17 - The Drake Hotel - Toronto, CA * w/ Seoul 11/19 - M For Montreal - Montreal, CA https://www.facebook.com/teishimusic https://twitter.com/tei_shi_ http://instagram.com/tei_shi teishimusic@gmail.com

If there is one artist I’m excited for more than anyone else in 2015 it’s Tei Shi, who seems destined to pick up the hype train where FKA Twigs has got off. After a cover version of Beyoncé’s No Angel, Tei Shi ended up releasing Bassically - a track so fully realised it is incredible she doesn’t even have an album yet. Dark, brooding and incredibly sexy.

 

7. Brain - Banks

Banks’ momentum seemed to peter-out mid-way through 2014 but her album packs a whole slew of great tracks and Brain remains one of the most thrilling moments of pop music we heard this year, like something evil emerging from the blackness...

 

6. Putty Tart - Mouse On Mars & Junior Boys

Snuck onto Mouse On Mars’ celebratory collaborations project 21 Again was this glorious slice of electronic R&B, and it pretty much picks up where Junior Boys’ Banana Ripple left off. So much energy, so much sun, so much warmth. Love love love.

 

5. Two Weeks - FKA Twigs

Taken from the new album, LP1. http://po.st/FKAtwigsLP1 http://fkatwi.gs http://theyoungturks.co.uk Directed by Nabil.

Two Weeks felt like the realisation of all that FKA Twigs ambition… Taking the passion and creativity of those earlier tracks and applying it to the Twigs’ first real widescreen production… The music and video are both sexy as hell, and Twigs breathless delivery verges on sinister, particularly on that killer line: “I can fuck you better than her” she declared.

 

4. I See You - The Horrors

What a way to tease your forthcoming album… The first track taken from Luminous sounded like Simple Minds channeling Donna Summer, and I See You feels like a trip aboard the epic Saturn V once it kicks in. Sadly Luminous had showed it’s hand before it even came out - nothing else it contained came close… But you would struggle to find a more epic seven-and-a-half-minutes this year.

 

3. An Ocean Between Waves - The War On Drugs

Uploaded by Hugo Silva on 2014-03-12.

Dad rock goes epic. The War On Drugs’ Lost In A Dream managed to take the template from Slave Ambient and make it feel more real and grounded, but the epic Krautrock sense of movement was all over it’s best track, An Ocean Between Waves. Adam Granduciel’s struggle to establish connection is almost tangible here in those closing lines: “I’m at the darkened hillside / And there’s a haze right between the trees / And I can barely see you / You’re like an ocean in between the waves”.

A touching moment that evolves into something even more epic as the song finally hits its stride in the closing minutes - you sense Granduciel maybe managed to mount one of those waves, and is surfing his way to a complete view of the ocean beneath him.

 

2. Words I Don't Remember - How To Dress Well

How To Dress Well - Words I Don't Remember http://smarturl.it/htdwwordsitunes http://www.whatisthisheart.com Animation by Natalia Stuyk - http://www.nataliastuyk.com How to Dress Well photo by Zackery Michael.

One of the most emotionally honest moments on How To Dress Well’s What Is This Heart. Words I Don’t Remember sounds like a lover struggling to piece back together the way they feel - hands slipping through the sensations and feelings… “Who knows if I love you baby, but you’re the one thing on my mind”. Much as with An Ocean Between Waves, Words I Don’t Remember launches out of that emotional insecurity into an epic instrumental closing third, and it’s a staggering moment.

 

1. Can't Do Without You - Caribou

The first track from my album 'Our Love', out now worldwide. iTunes: smarturl.it/CaribouOurLoveiTunes Amazon: smarturl.it/CaribouOurLoveAmazon Label: smarturl.it/CaribouOurLoveLabel Photograph by Jason Evans.

On which Dan Snaith distills that very feeling of needing someone so bad it hurts… The obsession and neediness that turns love into something darker. Can’t Do Without You is both the most joyous, loved-up and celebratory thing I heard this year and the most desperately cloying. And if I take one thing from this song it is the human connection: we all feel this, for to love that hard is what it means to be human. And Snaith made it into the most addictively beautiful and optimistic sounding piece of sound created this year. Turn it up and forget about everything but the love you feel.

Comment: 2011's Best Songs

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At the end of every year I tend to spend a bit of time contemplating how to suitably wrap things up. Sometimes it's a single post that just lists things that were particularly note-worthy, other years I have been much more formal and had a collection of top five lists. This year I feel like running with something a bit more free form so here is a list of my favourite songs from this year.

There are too many songs here to say something about all of them. I'll go into a bit of detail on a selection of the ones that meant the most to me and that will make the post long enough as it is. There is also a Spotify playlist that pulls all of these together to make it as easy as possible to have a listen. Nothing here is ordered based on 'best' - the playlist and this list were built to flow as well as is possible with such a diverse selection of music. Having said which, there was one song that stuck out for me more than any other this year... Read on to find out which...

'I Don't Want Love' - The Antlers
The opening track from The Antlers' Burst Apart was a contender for song of the year for me. It's a beautifully exposed and fragile track and the decision to stick such a piece at the start of an album still amazes me because it is so easy to miss just how staggering it is. There aren't many bands that come close to Thom Yorke's brand of experimental melancholy, but The Antlers come close.

'Collapse' - Iceage
Iceage's debut album was the kind of brash, rapid fire album that really encourages repeat listening, but it was the discordant melodies of 'Collapse' that I always longed for more of. This most surprising thing is how much is crammed into a two-minute record, from the frictional intro of the guitar to the closing bars at the end.

'Undertow' - Warpaint

'Codex' - Radiohead

'Share The Red' - Stephen Malkmus and the Jicks

'Vomit' - Girls
Girls' second album saw them continue to expand their sound but nothing on that album came close to the gospel ambition of this needy and emotional indie cut.

'I Can See Through You' - The Horrors

'Montana' - Youth Lagoon

'Come To The City' - The War On Drugs
I said it all on the review last week but golly, does this flick my switches. It's difficult to judge something so close to a first listen but I'm confident that 'Come To The City' will stick out for years to come. The sound of a hand reaching out to pull you from the quick sand - an emotive wall of sound.

'It Takes Time To Be A Man' - The Rapture

'Ice Cream' - Battles feat. Matias Aguayo
When I saw Battles at Glastonbury the mechanical precision and strength of drummer John Stanier blew me away: this dude kicked the fucking doors off. Matias' vocals and percussion just took things to another level - this is math rock on spring break: sexy, wild and completely in control.

'Caffeinated Consciouness' - TV On The Radio

'Manifesto' - Planningtorock

'Saturday Love' - Toro Y Moi

'Manila' - Rough Fields

'Minnesota' - Bon Iver

'The Wilhelm Scream' - James Blake

'Video Games' - Lana Del Rey
Is she for real or faking? That question seemed to rumble around for months and yet everyone seems to have forgotten that real pop music is just a show anyway. I don't need to know her real name - Lana stole my heart as she laid a smack across my cheek with the line "It's you, it's you, it's all for you... Everything I do...". Sometimes popular music is best left with some mystery.

'Space Is Only Noise If You Can See' - Nicolas Jaar
Still Jaar's best record and 2011’s most unhinged vocal by far. Try as you might, this makes no sense but the space groove bass line and wonky lyrics made Nicolas Jaar one of our most exciting producers. The fact that he hasn't felt the need to do anything even remotely similar since only compounds the magnificence of it. Grab a calculator and fix yourself.

'Stay' - Gunnar Bjerk

'What I've Lost' - Benoit & Sergio
Everything Benoit & Sergio released this year was fantastic, but nothing came close to this track from side two of the Boy Trouble EP, a contemplative late night road trip through the old haunts with a new (potential) lover. If people ever tell you electronic music has no soul then play them this - a track full of heart and pain and a crucial hint of hopeful yearning.

'Need You Now' - Cut Copy

'Midnight City' - M83

'Hawaiian Air' - Friendly Fires

'All Nite' - Rustie

'Fallout' - Neon Indian

'Lonely Days (Drop Out Orchestra Vocal Remix)' - Mario Basanov
Mario's original was good but this shimmering sun baked disco remix is truly great. It's strength is that it simply hits that summery Ballearic vibe better than any other seven-minutes of music I heard this year. Throw in some excellent guitar work (more guitar solos on disco please!) and you've got something very vey good indeed.

'Basement L.O.V.E.' - Motor City Drum Ensemble
MCDE's DJ Kicks blew every other mix CD released this year out of the water with it's fantastic mixture of soulful jazz and subterranean house music for the heads. This separate remix of the 'L.O.V.E.' cut released on that mix as an exclusive is a brilliant taster for that mix even if doesn't actually appear on it. Loose and airy, it feels like a slowed down summer's day spent dancing on Mediterranean tiles after a night with no sleep.

'Arise' - Maceo Plex

'Far Nearer' - Jamie xx
2010 saw the xx break into the mainstream but in 2011 Jamie proved the best is yet to come. As good as the xx's debut record is, in my opinion it can't hold a candle to this solo track. Sounds like Paul Simon kicking back on a dubstep rumbling tropical island; this is Kia Ora, Five Alive and Rubicon rolled into one.

'Banana Ripple' - Junior Boys
As if Mario Basanov and Jamie's 'Far Nearer' weren't enough sun... 'Banana Ripple' easily takes my vote for song of the year. This unashamed summer disco dance track caps off an album of angst-ridden self-reflective electronic pop on It's All True like a glorious and carefree butterfly emerging from a self-absorbed chrysalis. 'Banana Ripple' is a song of three acts where each one is more fantastic than the last. The Hammond organ peaking towards the end never fails to give me goose bumps, and that is what music is about.

So, what did I miss?

BP x

2009: The Best of the Year

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BlackPlastic tends to vary its approach to the inevitable end-of-year wrap-up a bit each year. Sometimes we do a full detailed breakdown of the best albums and compilations, whereas other times it is less formal summary of all that was good in the past 12 months. 2009 will be treated using the latter approach - this is partly in reflection of the quality of the year but it as much simply a reflection of the way BlackPlastic feels like tackling it this year. Lists are unimportant and to stick to them can constrain what needs to be said.

2009 was not quite the same vintage as 2008 in BlackPlastic's opinion (for more on 2008 see here, here and here) but it did have some absolutely fantastic music all the same:

One of the great things about end of year reviews is that they afford BlackPlastic the opportunity to go back and comment on albums we unfortunately missed at the time. No record from 2009 deserves that more than Girls' first album. Entitled, erm, Album, it was one of those records that sounds like a compilation tape from a mate with impeccable taste. The style is inconsistent but the passion and inventiveness of the tunes more than make up for it. Many have said that the production of this album is somewhat vanilla, classic as opposed to contemporary, and as such this is a record all about the tunes. BlackPlastic doesn't buy that - frankly it just sounds too 2009 for such twaddle to wash. Yes, it may contain classical styles but they have been applied with a modern sensibility and there are hints of too many times, styles and genres for this album to be anything but modern. Track to check: 'Lauren Marie'.

One of 2009's surprise highlights was The Horrors' sophomore album, Primary Colours. Channelling Joy Division and Can what it lacked in originality it made up for in quality of execution. Check: 'Sea Within a Sea'.

Showing off David Sitek's production skills even more than the Yeah Yeah Yeah's rather ace It's Blitz!, one of 2009's best débuts came from Telepathe in the form of Dance Mother. Abstract, dubby and ambient yet accessible and infectious. Check: that sublime production on 'Chrome's On It'.

Junior Boys' third album is perhaps a tricky one to love - it feels like a streamlined version of their precious two. Yet listening to Begone Dull Care it is clear this is a duo at the top of their game - streamlined is actually refined, for nothing this year boasted as much brains, as pure a vision. Frankly it is the best intelligent dance album since Morgan Geist's Double Night Time. Check: 'Parallel Lines'.

And if the Junior Boys refined then the Dirty Projectors' let the chips lie where they fell. Bitte Orca built on previous album Rise Above by growing in every conceivable direction. It still sounds simultaneously timeless and unapologetically futuristic. Check: the R&B anthem 'Stillness Is The Move'.

Another one of those records that got away - Desire's II has only just found its way onto the BlackPlastic stereo but the slightly sinister vibe and dark take on Italo ensures it'll be on rotation well into this year. If you listen to just one track make it the emotive ballad that is 'Don't Call'.

Also dark but without the retro edge was Telefon Tel Aviv's Immolate Yourself. It's been years since BlackPlastic has heard IDM that packs such a punch. Sadly band member Charles Cooper died soon after finishing this album. Rumour has it that his death may have been suicide. Listen to 'You Are The Worst Thing In The World' and it almost feels as though the pain of his passing has infected the songs.

Heart stoppingly beautiful at times, no record made BlackPlastic laugh and almost cry at the same time as much as Jeffrey Lewis & The Junkyard's 'Em Are I. Check: 'Bugs & Flowers'

Two albums that managed to get BlackPlastic really gurning again: Nathan Fake's Hard Islands and Fuck Buttons' Tarot Sport. Making trance music sound like rock music flicked our switch. Check 'Castle Rising'and 'Olympians' respectively.

Overlooked by practically everyone else but saving a special place in our hearts is The Juan Maclean's The Future Will Come. It may not quite match the heights of 2005's 'Dance With Me' but it is still the best realised concept album from 2009. Check the muted brilliance of 'Tonight'.

It is seriously over-hyped and they were dangerously close to becoming 2009's Burial (stylistically coming off somewhat like the indie equivalent of Burial, too): the XX. Yet they still managed to tug on our heart strings on debut album XX. The atmospheric melancholy and loneliness is one thing but the XX never shine more than when the vocals demonstrate their heart, as on 'Heart Skipped a Beat'.

Some music does it for BlackPlastic simply by being incessantly joyful. That is the case for Passion Pit's Manners - not since Architecture in Helsinki released an album has anything sounded quite so ridiculously happy. Check 'Little Secrets'.

Barely scrapping into 2009, Animal Collective's Merriweather Post Pavillion is probably the oldest album on this list yet it is still very nearly took the top spot. From the ecstatic opening of 'In The Flowers' this was an album to lose yourself in. Dizzyingly creative and heart-warmingly joyful, it is telling that it has all but made us forget band member Panda Bear's almost as good solo album, Person Pitch. Most people will recommend 'My Girls' as the top tune but they are wrong - it has to be that delirious opener.

Snuck in at the other side of 2009, Lindstrøm & Christabelle's Real Life Is No Cool is this list's newest album. And glorious it is too, a sunny slither of disco perfection that turned out to be Lindstrøm's career highpoint to date. Check 'Keep It Up'.

Before the wrap with the album of the year a couple of compilations and a reissue deserve a mention.

The reissue is the Units' The Early Years of the Units 1977-1983, a set that proves there were legitimate challengers to Devo's creative dominance of the post-punk period. Seriously - this shit is essential, the cream from one of the best periods in music.

Compilation number one is Jay Haze's Fabric 47, which frankly came out of nowhere and blew BlackPlastic away. By the time this eclectic set arrives at the exclusive hip-hop track 'Something To Say' by Rockey that closes the album we were head over heels. Pure class.

Our other favourite compilation is Phoenix's Kitsuné Tabloid release. After a balls out start from Digitalism, Phoenix took the Tabloid series in a much, much more interesting direction. Featuring barely any tracks from recent years it instead manages to introductive the listener to some gems they won't know as well as reintroducing some they will. It also serves as a perfect autobiography for the band and, more to the point, sounds utterly gorgeous all the way through.

No contest for album of the year though. On BlackPlastic's first few listens it was great... A perfect fit like your favourite jeans. Yet it just got better and better. And better. No album kept us coming back quite like Wolfgang Amadeus Phoenix. Performed live it is even better and it is telling that almost every track on the album is on the set list for the recent tour.

Putting your finger on what makes Wolfgang... so great is tricky, but BlackPlastic will try:

Producer Philippe Zdar (of Cassius) manages to distill a great band into a phenomenal one. Each track is so incredibly tight that it sounds like a band being covered by robots, in the best possible way. And at the same time Thomas Mars' vocals give the whole album a sense of urgency and vitality that most bands can only dream of. If they called it quits now Phoenix would still be one of the best bands of the last decade. Here is hoping they continue being fabulous.

BP x

Comment: Our prediction - the Mercury Music Prize

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Not so long ago we predicted who would get shortlisted for the Mercury Music Prize and whilst we weren't exactly spot on we managed to guess seven out of the 12... Not too shabby!

With the event happening tomorrow we thought it was time to lay our predictions down on paper (albeit virtual) and put our money where our mouth is.

The shortlist in full then:

  • Bat For Lashes - Two Suns
  • Florence & The Machine - Lungs
  • Friendly Fires - Friendly Fires
  • Glasvegas - Glasvegas
  • Kasabian - West Ryder Pauper Lunatic Asylum
  • La Roux - La Roux
  • Led Bib - Sensible Shoes
  • Lisa Hannigan - Sea Sew
  • Speech Debelle - Speech Therapy
  • Sweet Billy Pilgrim - Twice Born Men
  • The Horrors - Primary Colours
  • The Invisible - The Invisible

Pondered we have but BlackPlastic still thinks the smart money is on The Horrors, with Bat For Lashes and Florence & The Machine close also-rans. If it were down to us though we would commend that loved up debut from Friendly Fires... It's just too gorgeous to resist.

Check out the BBC site for coverage on the even.

BP x